Abstract

Mixtapes are a form of autobiography and are a tool for storytelling. Summer Pierre’s graphic music memoir All the Sad Songs uses the mixtape to curate and deconstruct memories. Through a series of mixtapes discarded in her basement, Pierre details her relationships through music. The absence and presence of mixtapes haunt the narrative and create the scaffolding of Pierre’s memoir. This article explores how the hauntological nature of cassette tapes structures narrative in graphic music memoirs. Music memoirs are about identity building for the music memoirist and the reader. The graphic memoir differs from the traditional memoir format as the author must show as well as tell. Pierre’s graphic memoir demonstrates Pierre’s changing music identity through both text and illustrations. Memoir writing is a performative act, and the author, similar to the mixtape creator, is the curator of the narrative the memoir presents. By using a ‘dead media’ to aid life writing, Pierre presents her journey as a musician through a lifetime soundtrack.

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