Abstract

This paper adopts a multisemiotic perspective to examine the significations of monuments in city spaces in Calabar, Nigeria. Data were generated through photo documentation, participant observation and semi-structured interviews in a three-year fieldwork involving 34 participants. Drawing from interactions between the designers, the monuments and the social audience, findings present the monuments as multisemiotic significations of the benefits derived from Western education, gains from missionaries’ activities and their interface with the locals, abolition of the slave trade, sociocultural heritage, histories and identity, potential in tourism and carnivals, and an emerging shift from African traditional religion to Anglo-Christian beliefs. These representations are dialogic expressions of lived experiences and histories of residents that (re)construct memorials of their past and provide a guide for the present and project expectations of the future. The symbolic images integrate localised intentions of the designers drawn from the environment and the people, with appropriate interpretations by the social audiences to situate their indigenous significations within varying global discourses on monuments.

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