Abstract

This article is a conversation-style paper between two takatāpui weaver-scholars presenting the creative praxis behind the 2026 exhibition in Kirikiriroa, Aotearoa, titled Whatua He Whiringa Takatāpui. The exhibition included five takatāpui weavers across Aotearoa who wove together queer Māori communities to reject the colonial binaries of traditional and contemporary, art and craft, and male and female. With multiple activations and ceremonies held in the gallery space, Whatua He Whiringa Takatāpui fostered mana takatāpui, and takatāpui community and thrivance from the harakeke roots in Kirikiriroa. Some of the taonga created in this exhibition are inspired by taonga tawhito, or Māori ancestral treasures, which collapse space–time and allow descendants to connect to the ancestors of generations past. With two such taonga, a kuia’s kete and an 18th-century kaitaka, the authors meet their respective elders to share kōrero that could not—and did not—happen in their lifetimes. How does our creative practice allow us to theorize alongside our grandmothers and generations past?

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