Abstract

Türkiye’s Early Republican Era (1923–1946) was a period marked by profound ideological shifts, during which social values and national identity were reshaped. During this time, monuments and statues was utilized by Republican intellectuals as a ‘strategic tool for diffusion’ to instill the ideology of the Republic among the public. The monuments and statues of this period were designed to reflect revolutionary changes, forge a national identity, and emphasize the new values of the Republic. Questions such as: How did the figures in the monuments and statues of this period convey new Republican values like modernization, secularism, and nationalism to the public? What aspects of society did Republican elites aim to transform, and how did they represent this transformation through monuments and statues? What role did monuments play in the construction of national identity? remain to be answered. This study aims to shed light on the political and social context of the era by analyzing certain monuments produced during Türkiye’s Single-Party Era, thereby seeking to understand how Republican ideology was reflected in art and the role/impact of art in the construction of national identity. To this end, three monuments and one painting—considered to best reflect the era and to best convey the ideology of the Republic—have been selected as examples. While these monuments are subjected to in-depth analysis to decipher the explicit and implicit ideological messages they contain, the examples’ dimensions of meaning are also examined within the context of Althusser’s Ideology and the Ideological State Apparatuses and Sennett’s concepts of nakedness and the political/sovereign body.

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