Abstract

The Isan Orchestra is a large-scale homogeneous contemporary musical ensemble in Thailand that systematically integrates traditional Northeastern Thai (Isan) folk instruments using the formal structural, compositional, and architectural frameworks of a Western symphony orchestra. Consisting of 40 traditional Isan folk instruments without Western instrumentation, this ensemble achieves a multi-tonal orchestral dimension by balancing the modal melodies and unique acoustic textures of regional instruments such as the Phin (plucked lute), Whode (circular panpipe), Khaen (free-reed mouth organ), and Pong Lang (log xylophone). The ensemble achieves a multi-tonal orchestral dimension without Western instrumentation. Compositional concepts rely on extracting melodic motifs from traditional folk tunes, transforming them through Western contrapuntal methods, polyphonic textures, and harmonic voice-leading. This entry systemizes the programmatic suite architecture, orchestration grids, and physical seating layouts required to achieve acoustic balance. Through this systemization, this study achieves a fully verified, replicable prototype that successfully transitions orally transmitted regional repertoire into standardized notation. The implications of this model offer a strategic, decolonial framework for institutional safeguarding, enabling Indigenous musical traditions to achieve structural parity and international visibility within higher education.

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